Black History 365 | # 264 Sahli Negassi
Black History 365 | # 263 Sekou Odinga
Rest in peace to Sekou Odinga. The longtime Black liberation activist Sekou Odinga has died at the age of 79 January 2024. He was a member of Malcolm X’s Organization of Afro-American Unity, as well as the Black Panther Party in New York City and the Black Liberation Army. After spending years underground, he was convicted in 1984 of charges related in part to his role in helping Assata Shakur escape prison. Odinga served 33 years in state and federal prison before being released. Speaking about what drew him to the program of the Black Panther Party, Odinga told Democracy Now!, “What attracted me more than anything else was the stand against police brutality, because like all the other ghettos in this country or Black areas of this country, police brutality was running rampant. From my first memory of it was—in New York was little Clifford Glover, who was murdered out in my neighborhood in Jamaica, Queens…what we were really concerned about was trying to put some kind of control on the police, or at least be in a position that we could counter some of what they were doing.” Rest well.
Black History 365 | # 262 Dwayne McDuffie
Put some respect on Dwayne McDuffie’s name. He is a super legend. He is best known for creating the animated television series Static Shock, writing and producing the animated series’ Justice League Unlimited and Ben 10, and co-founding Milestone Media. McDuffie earned a bachelor’s degree at the University of Michigan in 1983 and attended film school at New York University’s Tisch School of the Arts. While McDuffie was working as a copy editor at the business magazine Investment Dealers’ Digest, a friend got him an interview for an assistant editor position at Marvel Comics. At Marvel Mr. McDuffie helped develop the company’s first line of superhero trading cards and wrote for established series like Spider-Man and Captain Marvel. He also created Damage Control, a mini-series published at intervals from the late ’80s to the present about a firm that repairs the property damage caused by battles between superheroes and super-villains. However, McDuffie was vocal about the lack of diversity in their comics, especially regarding the curious amount of black characters that rode skateboards or wore chicken suits. In 1990 he left Marvel to pursue freelance opportunities. The company he co-founded, Milestone Media were distributed by DC Comics. His partners were a coalition of African-American artists and writers, consisting of himself, Denys Cowan, Michael Davis, and Derek T. Dingle. Their goal was for Milestone to address the underrepresentation of minorities in American comics, and to create characters that were diverse in their ethnicities, backgrounds and experiences. HATS OFF!
Black History 365 | # 261 Gerald Wilson
Gerald Wilson is the man. A trumpeter, composer, arranger, & bandleader — he earned quite the reputation as a leading composer. His band was one of the greats in jazz, leaning heavily on the blues but integrating other styles. His arrangements influenced many musicians that came after him, including multi-instrumentalist Eric Dolphy, who dedicated the song "G.W." to Wilson on his 1960 release Outward Bound. Wilson began his life in jazz in 1937, when he joined the musician's union and started playing professionally. Two years later, at the age of 21, he was invited to join the highly popular Jimmie Lunceford band in New York City. His impact was immediate, contributing such powerful material as Hi Spook and Yard Dog Mazurka to the Lunceford repertoire. After settling in Los Angeles, he organized the first Gerald Wilson Jazz Orchestra, featuring trombonist Melba Liston and trumpeter Snooky Young among its members. Twice touring the country, Wilson's big band made its mark in New York City, receiving rave reviews playing at the Apollo Theater between bookings of the Ellington and Lunceford bands, and in Chicago, landing a ten-week engagement at the Regal Theater and hiring a young Joe Williams as the band's vocalist there. He contributed his skill as an arranger and composer to artists ranging from Duke Ellington, Stan Kenton, and Ella Fitzgerald to the Los Angeles Philharmonic to his guitarist-son Anthony. Additionally he was a radio broadcaster at KBCA and a frequent jazz educator. Among his more noted commissions were one for the 40th anniversary of the Monterey Jazz Festival in 1998, which he revisited in 2007 with his album Monterey Moods, and one for the 30th anniversary of the Detroit International Jazz Festival in 2009. He’s quoted as saying, “Jazz, to me, has to be loose. You can’t be tight. When you get too tight in jazz, it isn’t making it. Same thing with Duke Ellington. He let his band be relaxed, be loose, take it easy. Nobody gets excited here. You’re late. Okay, so you’re late. Let’s play.” Very fresh, very player. Salute. He died in September, 2014 at 96 years old. Rest in power.
